OMA designs a project dubbed the summit in response to the evolving architectural landscape of shenzhen, china.

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TAO's intervention is characterized by a large roof of wood-cast in-situ concrete, enclosing new communal spaces.

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new images of OMA's tower, its patterned facade, and its interiors capture how the spaces have come to life in shenzhen.

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the practice used a grid of multicolored exterior frames to increase the facade depth to a full meter.

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the building rises and swirls around like an art sculpture, returning as much ground space as possible for plant growth and social activities.

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its greenhouse-like silhouette with a pastel blue-green hue allows it to blend in with the natural surroundings.

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built with five thousand tubes, the 'freeing frameyard' occupies the courtyard of a stone-walled 'hakka' village.

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the form evokes the khan tegri mountain's snow-covered ridges and its summit which glows a mystical red at sunset.

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with its clustered volumes and delicate skybridge, the architecture seems to float above the city of shenzhen.

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sheltering overhangs and sweeping terraces are created with subtle shifts in the fluid, stacking levels.

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